FLEXIGRASS STAGE REQUIREMENTS
Contact: Pete Wernick 303 652-8346
1 and 2: CLARINET. BILL PONTARELLI will supply 2 mics: EVn/D767a (upper, pointed down towards middle of instrument) and Sennheiser 518 (lower, pointed up into bell of instrument). The upper is mixed more than twice as hot as the lower mic, which captures low frequencies.
3: PETE WERNICK VOCAL mic on boom, mostly for talking, some singing. SM-58 is OK.
4: 5-STRING BANJO. PETE WERNICK will supply AKG-414 (uses phantom power, or power supply available if necessary) with custom holder (fits standard thread). Boom stand needed. Acceptable second choice mic if necessary: SM-57.
5: JOAN WERNICK VOCAL mic on boom. SM-58 is OK.
6: VIBES. GREG HARRIS will supply a single direct line out. If show is being recorded to a stereo mix, he may supply a stereo line out, but the audience mix should be in monaural. If performance is far from Colorado, requiring air travel, the flyable vibraphone requires two mics (two good condenser or extended range dynamic mics preferred), with two tall boom stands positioned with mics pointing down from 14" above instrument.
7 and 8: DRUMS. KRIS DITSON needs 2 mics, a bass drum mic such as AKG D-112 plus an overhead condenser on boom—or whatever micing the sound company may prefer.
9: ELECTRIC BASS. ROGER JOHNS has a D.I. connection from Acoustic Image amp, or it can be miced.Also needed on stage: